Thursday, 3 December 2015
RUNNING FOR SUPERMAN
Download our new song RUNNING FOR SUPERMAN for £1 and help us towards the mixing and mastering of another 10 songs waiting in the wings of financial frustration! https://ilyasounds.bandcamp.com/track/running-for-superman
Monday, 29 June 2015
HAPPY 80th BIRTHDAY DALAI LAMA!
Happy birthday everyday to everyone! This is the most wonderful thing to watch on FB today ... beautiful people with a beautiful truth. (And ... in a world that celebrates musical youth above the ever maturing vintage brews ... power to the grey haired musicians :~)
http://www.bbc.co.uk/programmes/p02vtjqw
http://www.bbc.co.uk/programmes/p02vtjqw
Sunday, 29 March 2015
Friday, 19 December 2014
We are album of 2014 for Californian music journalist Thomas Cooney.
My choice for Album of the Year in 2014 was the hardest choice I've
had to make in 30 years. This was a meh year for music, and none of the
finalists (Leonard Cohen, Bryan Ferry, Ilya) were at their height with
their entries; no matter how good those albums are, none represented the
artist's career-best. So, without further ado...... My choice for 2014
Album of the Year goes to: "Blind as Hope," by Ilya. Here is an
excerpt of what I wrote about the British duo's album this spring:
“Call My Name,” returns us to the brooding minstrel terrain. The vocals here reach new heights (or depths in this case) for [Joanna] Swan; her voice achieves such astonishing reach that one senses she’d be pleased to no end if people at times mistake her voice for that of a man’s when she reaches as deep as she does in the first minute of this lush ballad. Once she untethers her voice, the listener feels afloat, riding as high as Swan invites. And then things get crazy. Stupid crazy. Unfair.
It seems every time a review is written for an Ilya project, one is proclaiming a song as their new unheralded masterpiece. Track 6, “The Memory,” is so possessed and terrifyingly sublime that Swan seems otherworldly herself. I once wrote that Swan’s “vocals are thoroughly enmeshed with the narrative of the song, her movements inhabit the song the way only the ghost of the architect can haunt a mansion.” When I wrote that over six months ago, I had no way of knowing that a song would come forth as a perfect illustration of exactly that. If you are a fan of ethereal power vocals, then “The Memory” is the drug that is waiting to meet you for the first—but never the last—time."
Here's where you can find Ilya, they are career musicians who have worked with the likes of Peter Gabriel and Tears for Fears:
Thomas Cooney
“Call My Name,” returns us to the brooding minstrel terrain. The vocals here reach new heights (or depths in this case) for [Joanna] Swan; her voice achieves such astonishing reach that one senses she’d be pleased to no end if people at times mistake her voice for that of a man’s when she reaches as deep as she does in the first minute of this lush ballad. Once she untethers her voice, the listener feels afloat, riding as high as Swan invites. And then things get crazy. Stupid crazy. Unfair.
It seems every time a review is written for an Ilya project, one is proclaiming a song as their new unheralded masterpiece. Track 6, “The Memory,” is so possessed and terrifyingly sublime that Swan seems otherworldly herself. I once wrote that Swan’s “vocals are thoroughly enmeshed with the narrative of the song, her movements inhabit the song the way only the ghost of the architect can haunt a mansion.” When I wrote that over six months ago, I had no way of knowing that a song would come forth as a perfect illustration of exactly that. If you are a fan of ethereal power vocals, then “The Memory” is the drug that is waiting to meet you for the first—but never the last—time."
Here's where you can find Ilya, they are career musicians who have worked with the likes of Peter Gabriel and Tears for Fears:
Thomas Cooney
Friday, 14 November 2014
A new EP - from oven to table in 2 days!
Jim throwing a few moves to Nicks playing. |
Love the retro elements in the studio. |
This selfie makes it look like Jim has a massive poster of me in the control room :~) |
Yesterday morning we had an intensive session in Jim Barrs' studio recording 10 of our new songs (well 9 actually - as 1 of them is years old). Last night we had a gig out of Bristol then today we had to upgrade our computer to Logic 10 and Yosemite (I ask you! ... these names! ... I hope it's Gigantor next!) so that it was compatible with Jims files. Now within 2 days it's all ready for blast off and after taking 2 years with Blind As Hope I love this speediness! With completely live performances you can hear creaking from Nicks elbows (actually his stool and a creaking radiator :~P) and some wee dodgy bits but we hope the overall performance wins the day :~P Please go and have a listen on Bandcamp.https://ilyasounds.bandcamp.com/album/4-songs
Tuesday, 14 October 2014
In Timeless Light
I made a selfie video all by my selfieness! Please watch and selflessly share. Thank you X
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